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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Our only concern is the void, 2013 by Nik Lee, video: 12 minutes

Macquarie Digital Portraiture Award media information

28 August 2013
Archived media releases 2013

The National Portrait Gallery recently announced the finalists for the Macquarie Digital Portraiture Award 2013.

Artists and guests at the
doppelgnger exhibition
launch on Portrait Island

Virtually human

Magazine article by Gillian Raymond, 2009

Gillian Raymond describes the National Portrait Gallery's second virtual exhibition doppelgänger.

Sketch of Clifton Pugh painting John Perceval
Sketch of Clifton Pugh painting John Perceval
Sketch of Clifton Pugh painting John Perceval

Sketch of Clifton Pugh painting John Perceval, 1985

Rick Amor
Portrait, pencil on paper

Collection: National Portrait Gallery
Gift of the artist 2016

Divide (Self portrait)

Dissections: Layered portraits from the collection is now open

19 August 2016
Archived media releases 2016

Dissections, showcases the hyper-realist sculptural self-portrait of artist Sam Jinks, Divide, alongside the painted portrait of philosopher David Chalmers by Nick Mourtzakis, which was commissioned by the Gallery in 2011.

Bourgeois family: Mirror frieze, 2001 From the series Re-take of Amrita
by Vivan Sundaram

Vivan Sundaram

by Rakhee Balaram
Artist essays

Born in 1943 in Simla, Vivan Sundaram’s long career has given him opportunities to work in a range of mediums – painting, installation, assemblage, photography, digital media and film.

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Previous exhibition, 2023

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Catholic clergymen from the Diocese of Adelaide
Catholic clergymen from the Diocese of Adelaide
Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide, c. 1862

Stephen Edward Nixon
Portrait, carte de visite photograph

Purchased 2018

L. Gordon Darling AC CMG

L. Gordon Darling AC CMG

31 August 2015
Archived media releases 2015

The Chairman, Board, Director and all the Staff of the National Portrait Gallery mourn the loss of our Founding Patron, who died peacefully in Melbourne this morning. He was 94.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018 winner announced

23 March 2018
Archived media releases 2018

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

Portrait23: Identity logo

Announcing... Portrait23: Identity

15 November 2022
Media

In this major new exhibition marking the National Portrait Gallery’s third decade, 23 Australian artists and collectives have been invited to create portraits without constraints or boundaries.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Margaret Whitlam

Glossy too

Magazine article by Christine Clark, 2005

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

The blue of the dawn, 2009 by Vittoria Dussoni

NPPP 2011 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2011 Prize.

The girls, 2017 by Tamara Dean

Snap decisions

Magazine article by Robert Cook, 2018

NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.

The Wedding, 2022 Atong Atem

See through me

Magazine article by Penelope Grist and Rebecca Ray, 2022

Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.

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Canberra, ACT 2600, Australia

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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency